Wednesday, October 31, 2012

Monster Drawings

Danish artist John Kenn spends his time writing and directing television, and raising kids, but manages to draw a portfolio full of elaborate and eerie monsters on Post-It notes. (via form is void)

Happy Hallowe'en!

Monday, October 29, 2012

Anatomy of Creatures Who Are Not

This idea seems irresistible to artists, as we have seen this before, but I thought I would bring you some skeletal structures of imaginary monsters in time for Hallowe'en.

Starting with the pop-culture monsters, and beginning old skool: French artist Gentil Garcon has teamed up with paleontologist Francois Escuilie to create a real-life representation of Pac-Man's skull.

Gentil Garcon's Pac-Man's Skull, Source: via minouette on Pinterest

Next, New York based illustrator Ryan Mauskopf (aka “RYE-BREAD“) has made an entire series on Pokémon Anatomy of the popular Japanese trading card, animation and video game monsters. (They are available on tee-shirts. You should check out his portfolio too).

Charmander Anatomy by Ryan Mauskopf, Source: via minouette on Pinterest

Squirtle Anatomy by Ryan Mauskopf, Source: via minouette on Pinterest

Bulbasaur Anatomy by Ryan Mauskopf, Source: via minouette on Pinterest

Moving on the the composite creatures, especially of the anthropomorphic variety, we have Hominid by Brian Andrews, an animated teaser based on his series of photo composites.

Fascinating, though too often over-looked surrealist artist Leonor Fini created a number of works including the skeletons of classical monsters, particularly composite creatures involving women, like the sphinx, and newly imagined creatures like the dragonfly-man below.

Leonor Fini, Source: via minouette on Pinterest

Lastly, while we are on the subject of surrealism, I'll leave you with a strange little treat. For anyone who would like more fine art and more of the surreal in their games, escape with Une Semaine de Bonté, a brand new on-line game designed as another way to experience the effect of reading? viewing? interrogating perhaps? Max Ernst's 1934 book of the same name, complemented by music from the Surrealist works of Pierre Schaeffer, and poetry by Arthur Rimbaud, André Breton and Robert Desnos.

Tuesday, October 16, 2012

Lise Meitner & Nuclear Fission, on Ada Lovelace Day

AdaLovelaceIICross-posted from the on-going saga of minouette

Today is the fourth annual international day of blogging to celebrate the achievements of women in technology, science and math, Ada Lovelace Day 2012 (ALD12). You may recall Ada, brilliant proto-software engineer, daughter of absentee father, the mad, bad, and dangerous to know, Lord Byron, she was able to describe and conceptualize software for Charles Babbage's computing engine, before the concepts of software, hardware, or even Babbage's own machine existed! She foresaw that computers would be useful for more than mere number-crunching. For this she is rightly recognized as visionary - at least by those of us who know who she was. She figured out how to compute Bernouilli numbers with a Babbage analytical engine. Tragically, she died at only 36. Today, in Ada's name, people around the world are blogging about women in science and technology, whose accomplishments have all too often gone unrecognized or unacknowledged.

I made a new edition of my 'Ada, Countess Lovelace' print for the occassion. The print is in blue, indigo and dark silver water-based block printing ink on cream coloured Japanese kozo paper 12.5 inches x 10.5 inches (31.8 cm x 26.7 cm). There are 4 prints in this second edition. The first edition was printed on plum coloured paper.

This year, I would like to tell you about Lise Meitner. I made her portrait along with her explanation of nuclear fission. She was the first person to provide a theoretical explanation for nuclear fission and was an integral member of the experimental team as well, though her gender and her heritage interfered with her being properly acknowledged in late 30s Germany. Meitner is shown in dark silver ink with a neutron flying from her brow towards a uranium nucleus, and the ensuing chain reaction is shown in red. The print is in an edition of 6 printed on white Japanese kozo (or mulberry) paper, 12.3 inches by 12.5 inches (31.2 cm by 31.8 cm).

Lise Meitner

Lise Meitner (7 November 1878 – 27 October 1968) was a world-class physicist who collaborated with chemists Otto Hahn and Fritz Straßmann1 in the 1930s in Berlin. The team was investigating whether there were any stable elements beyond uranium, on the periodic table. They discovered that by bombarding the nucleus of uranium-235 with neutrons that they actually triggered it to fission, or break, into two nuclei of roughly half the size and some free neutrons! Hahn's chemistry allowed the startling discovery and identification of barium, but no explanation of the mechanism involved; Meitner's physics provided the explaination of how fission could be possible and its implications. Otto Hahn was awarded the 1945 Nobel prize for chemistry. Though Meitner won many accolades, the Nobel committee neglected her contribution, in one of the most blattant and eggregious instances of their overlooking women's scientific acheivements.

Hahn and Meitner's research was disrupted by WWII. Meitner was of Jewish heritage. Her Austrian citizenship provided her some protection prior to its annexation, when she had to make a daring escape via the Netherlands to a new home in Sweden, in 1938. Despite their seperation, Meitner and Hahn continued to work together, planning the experiments which lead to the discovery of fission at a meeting in Copehagen. Hahn and Straßmann performed the experiments and Hahn realized that the presence of barium could only make sense if the nuclei had split, but he needed Meitner's help to understand how this could be. Meitner was able to apply the latest physics, the liquid-drop model of the nucleus (as shown in my print), to explain how the absorption of an extra neutron could produce an unstable nucleus which split into two large pieces, the daughter nuclei, and more free neutrons. Most importantly she saw that the combined mass of the neutron and uranium-235 was larger than the products and that the 'missing mass' would all be transformed into vast amounts energy according to Einstein's famous equation E = mc². She also saw how the newly produced high-energy neutrons would in turn strike other uranium nuclei, leading to a chain reaction. She worked with her nephew, physicist Otto Frisch to develop this theory. In Germany in 1939, Hahn could not publish jointly with Meitner. Hahn and Straßmann submitted the team's results (that bombarding uranium with neutrons produced barium) for publication in 1938. Meitner and Frisch interpreted these results correctly as nuclear fission in Nature in 1939.

The physics community recognized that the huge energies produced by these fission chain reactions could be used to produce a bomb, and further, that expertise existed in Nazi Germany. Physicists on the Allied side, lead by Leó Szilárd, Edward Teller, and Eugene Wigner immediately worked to persuade Albert Einstein2 (whose fame would receive attention) to bring this danger to the attention of F.D. Roosevelt, which ultimately lead to the Manhattan Project and the development of the atomic bomb. Meitner herself refused to be involved in weapons research or the Los Alamos project and declared, "I will have nothing to do with a bomb!"3 She never returned to Germany or her Austrian homeland, even after the war, making a life in Sweden and retiring to England. Her nephew Otto Frisch composed the inscription on her headstone. It reads "Lise Meitner: a physicist who never lost her humanity."

Apart from her role in discovering and explaining nucleur fission, Meitner had many great acheivements. She was the only second woman to be granted a doctoral degree in physics by the University of Vienna, where she studied with the great Ludwig Boltzmann.4 She moved to Berlin and worked for Max Planck5 (who had previously refused to admit women) before beginning her 30-year long collaboration with Otto Hahn. Together with Hahn in 1917, she discovered the first long-lived isotope of the element protactinium, for which she was awarded the Leibniz Medal by the Berlin Academy of Sciences. That year, Meitner was given her own physics section at the Kaiser Wilhelm Institute for Chemistry. (It's worth noting that she and Hahn were relegated to a basement lab because women had not been allowed in the building, and that she had to go to another building to find a woman's washroom). In 1926, Meitner became the first woman in Germany to assume a post of full professor in physics, at the University of Berlin. She was praised by Albert Einstein as the "German Marie Curie". She visited the US in 1946, where she was hailed as a heroine and received the honour of the "Woman of the Year" by the National Press Club, many honorary doctorates and lectured at Princeton, Harvard and other US universities. She received the Max Planck Medal of the German Physics Society in 1949. Meitner was nominated to receive the Nobel prize three times. In 1966 Hahn, Fritz Straßmann and Meitner together were awarded the Enrico Fermi Award. In 1997, the element 109 was named meitnerium in her honour. Today the Hahn-Meitner Institut in Berlin, craters on the Moon and on Venus, and a main-belt asteroid are all named in her honour.

(This post was made with information from Lise Meitner's wikipedia entry and Sime's biography. Lise Meitner: A Life in Physics by Ruth Sime is one of the best biographies I have ever read. I recommend it highly to anyone interested.)

1 Straßmann, incidentally, was hired by Hahn and Meitner at a time he could not be hired elsewhere in Germany. He had resigned from the Society of German Chemists when it became part of a Nazi-controlled public corporation and was blacklisted. Hahn and Meitner were able to make a position for him at half pay. He and his wife hid a Jewish friend in their apartment, during the war, at great personal risk to their family.

2 The irony is that Einstein had been a dedicated pacificist throughout his life. At the onset of WWI, Meitner had not been able to see his point of view. Her experience as a nurse handling X-ray equipment during WWI changed her attitudes about war. (Contrast this with Hahn's WWI work developing chemical warfare under Fritz Haber, and we return once again to the question of the scientist's ethical obligations. Haber, incidentally, died in exile in 1938, because of his own Jewish heritage). Einstein saw the Nazi threat as such that it warranted pursuing an Allied fission bomb to avoid being devastated by a Germany weapon. He, of course, later denounced using the bomb as a weapon and campaigned against further development of nuclear weapons.

3 Ruth Lewin Sime, Lise Meitner: A Life in Physics (University of California Press, 1996), 305

4 Sime's biography made me a huge fan of Ludwig Boltzmann. He was a talented and kind man. He fought for his wife's right to study mathematics in the 1870s. He was a great teacher and dedicated mentor to his students, including Meitner. Tragically, he suffered from bipolar disorder and took his own life.

5 Planck's own wartime experience is quite the story. He worked hard to shield his employees at the KWG from open conflict with the Nazi regime, though he thought Hahn's suggestion of a public proclamation by scientists, against the treatment of their Jewish colleagues, would be futile. He helped secretly employ Jewish scientists and the blacklisted Straßmann. He held a memorial meeting for Fritz Haber in 1935. He was accused of being "a white jew" by Johannes Stark (Nobel Laureate and Nazi) for continuing to teach Einstein's theories. His own son Erwin, was implicated in the attempt made on Hitler's life in the July 20 plot, and was killed by the Gestapo. Though this and other personal tragedies made the end of his life very difficult, he survived to see a the Nazis defeated and lived to 1947.

Friday, October 12, 2012

Butterflies are the new pirates

As a corollary to my insects in art posts, I note that an entire post could easily be devoted to butterflies and moths in art - even if I limit this to artists not mentioned in previous butterfly posts. I believe that butterflies are the new pirates. They've become as ubiquitous as other memes (pirates, zombies, vampires, even if far less bloody). I confess, I've been trying to start my own meme with the phrase, "butterflies are the new pirates" as a sort of experiment (and thus far, had no luck). It nonetheless amuses me, hence, the title. But, enough of that. On with the butterfly art!

Artist Louise Richardson often covers her fibre and sculptural art with moths and butterflies.

key of E flat
Key of E flat by Louise Richardson

spell bound
Spell bound by Louise Richardson

Nettle by Louise Richardson
( a billion taste and tunes)

Similarly, swarms of butterflies show up in the work of sculptor, painter, and animator, David Kracov.

Book of Life by David Kracov
Book of Life by David Kracov

Coca Cola Open Happiness by David Kracov
Coca Cola Open Happiness by David Kracov

Indianapolis-based artist Tasha Lewis has made magnetized cyanotype butterflies - a brilliant solution for non-destructive, grafitti-like installations. She writes,
Each installation was spontaneously arranged on iron and steel structures in urban spaces. I find it important to insist that this project does not promote tampering with public sculpture. My butterflies are attached with very very small magnets and thus do not harm the metal of the found art. My goal is to create a very ephemeral public spectacle that toeing the line between subversive and lyrical.

There is much more art to be found in her portfolio.

 Magnetized Cyanotype Butterfly Installations by Tasha Lewis

 Magnetized Cyanotype Butterfly Installations by Tasha Lewis

 Magnetized Cyanotype Butterfly Installations by Tasha Lewis

( this is colossal)

Wednesday, October 10, 2012

Bespoke Insects

 The 'muscle bug (Coleoptera Tendonitis)' by Mark Oliver

For some reason, I've been seeing a quite a few insects in art of late. After the recent post on the photographic work of Laurent Seroussi, today I bring you more than 2D insects: sculptural and animated fanciful insects.

Working with trash (and found objects), British artist Mark Oliver has created the 'litterbugs', building their bodies and classifying his imaginary creatures with scientific and common names. The 'muscle bug (Coleoptera Tendonitis)' for instance involves anatomical illustrations of the muscles in human limbs. The 'frequency moth (Lepidoptera Doppler)' has clock arms for legs. The 'celebellar bug (Coleoptera Mesmerical)' contains anatomical drawings of human heads and brains. Some are more metaphorical in classification. The 'Prophet Moth (Lepidoptera Inspiration)' contains the spine of a bible. He describes his beautiful and whimical Litter Bugs thus as, "A creature whose instinctual and physical qualities have adapted so uniquely to the modern urban environment that it has rendered itself, by nature of camouflage, virtually invisible" in its habitat. They make a truly wonderous collection; be sure to peruse the whole collection.

The 'frequency moth (Lepidoptera Doppler)' by Mark Oliver

 The 'celebellar bug (Coleoptera Mesmerical)' by Mark Oliver

 The 'Prophet Moth (Lepidoptera Inspiration)' by Mark Oliver

(design boom)

Mark Oliver isn't the only artist inventing species of insects. The previously mentioned Finland-based artist Vladimir Stankovic invented Cephalopodoptera, which, as the name suggests, combines the cephalopods (octopi and squids) with insects. What makes them magical is that he has not only illustrated them but animated them, like the often colour-changing or bioluminescent cephalopods. Find more here.

Cephalopodoptera by Vladimir Stankovic
Cephalopodoptera by Vladimir Stankovic

Cephalopodoptera by Vladimir Stankovic
Cephalopodoptera by Vladimir Stankovic

I am really taken with the work of Canadian metalsmith and jeweller Elizabeth Goluch. Her gorgeous metal and gemstone insect sculptures include clever little allusions to nomenclature or folklore. There are a dragons and flies on her dragonfly. Insider her ladybugs are a house engulfed in flames ("Ladybug, ladybug, fly away home. Your house is on fire..."). Her Violin Beetle has a violin, bow and scored music included. Her carpenter arts contain the tools of the trade (hammer, nails and saw). Her work isn't limited to insects; I love the medusa jellyfish with medusa head. Have a look at her marvellous portfolio.

DRAGONFLY by Elizabeth Goluch

DRAGONFLY by Elizabeth Goluch
DRAGONFLY by Elizabeth Goluch
Sterling silver, 18k & l4k gold, fresh water pearls, garnets
9.5"l x 11.75"w x 2.75"h

LADYBUG #2 by Elizabeth Goluch
sterling silver, 18k + 14k gold, garnets, enamel, ceramit
5.5"l x 4.5 "w x 1.5 "h

VIOLIN BEETLE by Elizabeth Goluch

VIOLIN BEETLE by Elizabeth Goluch
VIOLIN BEETLE by Elizabeth GoluchVIOLIN BEETLE by Elizabeth Goluch
sterling silver, 18k & 14k gold
10.5"l x 8.5"w x 1.5"h

CARPENTER ANTS by Elizabeth Goluch
Sterling silver, 14K & 18K gold
8.5"l x 7.25"w x 2.25"h
10"l x 8.75"w x 3"h
9"l x 7"w x 2.75"h

This work reminds me of the Insect Lab Studio. "Borrowing from science fiction and fact, Insect Lab customizes insect specimens with antique watch parts and other mechanical components for a luxurious and whimsical effect." Insect Lab creates sort of steampunk robot-like insects; they don't function robotically, but they merely look like Victoria cyborg insects (or cybugs).

Cetonidae: Amaurodes Passerinii Linnei by Insect Lab
Cetonidae: Amaurodes Passerinii Linnei by Insect Lab
Steel watch parts, gears and screw
3"x4" dome

Cetonidae: Dicarphaneous Adamsi by Insect Lab
Cetonidae: Dicarphaneous Adamsi by Insect Lab
Steel watch parts, gears, spring and screw
4"x4" dome

Cerambycidae: Batocera Numitor by Insect Lab
Cerambycidae: Batocera Numitor by Insect Lab
Steel pocket watch parts, gears, springs and shafts.
5.5"x5.5" dome

I notice that what all these bespoke insect sculptures (and animations) have in common is that they are made of disparate parts. This seems entirely apt. The word insect itself means segment or cut, refering to their separate parts.

Friday, October 5, 2012

Illustrating Science

I just saw a preview for The Where, the Why, and the How: 75 Artists Illustrate the Wondrous Mysteries of the Universe (Chronicle Books, 2012) by Matt Lamote, Julia Rothman, and Jenny Volvovskim who collaborated with a collection of scientists who wrote essays on a series of questions of science and a collection of 75 artists and illustrators who illustrated each question. They specifically gave artists free reign to represent the science as literally or imaginatively as they desired. At left is a fairly literal illustration by Isaac Tobin relating to whether earthquakes are predictable.

Yelena Bryksenkova's illustration for "the peppered moth, which changed color over several generations in response to industrial pollution in london" in answer to the question of whether evolution can outpace climate change.

Matt Forsythe's illustration for the question, "If humans and chimps have nearly identical DNA, how can we be so different?"

Gilbert Ford's illustration for why people blush.

Lotta Nieminen's illustration of latitudinal patterns in species diversity.

JooHee Yoon's illustration for "why do we dream?"

I really like the idea of combining the reasonably strict "scientific illustration" shown on the cover with more artistic freedom (as long as it's clearly the goal, as it is here). Sometimes scientific illustration is less than true to the science not because it uses a metaphoric artistic language, but because there's been some sort of break down in communication; that of course, is not something I appreciate (except, occasionally, because it's funny). Often concepts in science cannot be illustrated in a literal way without highly technical diagrams and associated education to 'read' these diagrams. Occassionally scientists wax poetic in their language, to handle communicating the difficult-to-communicate. Rarely, are they afforded a chance to be figurative in their figures (or work with artists to do so). Between that and the line up of illustrators, I think I would like to get my hands on this book. After all, science, art and books are three of my favorite things.



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