Showing posts with label minouette. Show all posts
Showing posts with label minouette. Show all posts

Friday, May 12, 2017

WUNDERKAMMER: The Cabinet of Curiosity Show


I'm very excited to have curated the Toronto Etsy Street Team Gallery's first group art show, WUNDERKAMMER: The Cabinet of Curiosities from May 11 to 28. This art - or science art - show, is inspired by the Wunderkammer or Cabinet of Curiosity, the immense, eccentric, encyclopedic natural history collections gathered by collectors since the Renaissance. Cabinets of Curiosities featured treasured zoological, botanical, anatomical, fossil and gem specimen, collected by early citizen scientists. WUNDERKAMMER features original sculptures, drawings, hand-bound books, prints, paintings, printmaking, ceramics, jewellery, generative and multimedia specimen of natural and unnatural history on all scales, from the microscopic to the macroscopic. We are featuring the work of local artists (myself included):


István Aggott Hönsch

Erin Candela
Gavin Canning

Andrée Chénier
Carolyn Eady

Leslie Fruman
Monika Millar

Heather Ibbott
Colleen Manestar

Peggy Muddles
Teodora Opris

Christine Strait-Gardner
Tosca Teran

Rovena Tey
Lauren Vartanian

Ele Willoughby





Explore our curiousity cabinet of wildlife biology, mathematics, chemistry, mycology, micro and cellular biology, marine biology, entomology, botany, and fantastical lifeforms through the lens of art.

Join us Saturday, May 13, 6:00 pm to 10:00 for our Opening! FOLLOW THE LINK TO RSVP

Monday, February 16, 2015

Ernst Haeckel & Artforms in Nature

Ernst Haeckel portrait
Ernst Haeckel, linocut on kozo, 30.5 cm by 30.5 cm, 2011, by Ele Willoughby


Ernst Haeckel's Artforms in Naure, 1904 can be viewed here
Biologist, naturalist, and scientific illustrator par excellence Ernst Heinrich Philipp August Haeckel (February 16, 1834 – August 9, 1919), and his beautiful and well-known Artforms in Nature can be credited for the fact that people who are not say, marine microbiologists or geostratigraphers or their colleagues, know and are inspired by the extraordinary forms of radiolarians (as I've written about before), or are familiar with any number of exotic marine invertebrates.  Here we have the man himself, surrounded by several of the creatures he depicted. Clockwise from the top we have: rugosa, a foraminifer (or foram), a tubularid hydroid, homo sapiens (Ernst Haeckel), a dinoflagelate, and a sea slug or nudibranch. His was a form of descriptive science, where his art, his depictions of lifeforms was science, or his science was art. As such, he can be seen as a sort of culmination of centuries of work of his predecessors, gathering their cabinets of curiosity, their wunderkammer of creatures, driven almost as much by aesthetics as by exploration of the biosphere. You can trace this sort of scientific collecting from luminaries of the scientific revolution like Robert Hooke who gathered microscopic wunderkammer, and many others throughout the age of exploration, who travelled the world gathering specimen through to the Victorians whose obsession with cabinets of curiosity has been explained as an indication in fact of a morbid fear of death (in Olalquiaga's The Artificial Kingdom: A Treasury Of The Kitsch Experience).

His particular presentation of life*, which highlights the inherent patterns and beauty, has long been an influence on artists (myself included). Consider the rococco jellyfish chandeliers of Timothy Horn, a hommage to Haeckel's drawings. Haeckel's influence can also be seen in the surreal and imaginary zoological and botanical style drawings of Katie Scott, or the entire otherworldly visual encyclopedia in an alien language Codex Seraphinianus by Luigi Serafini. You can compare his drawings with the glass sculptures of the near contemporary Blaschka father and son, who created fabulous menageries filled with marine invertebrates as well as other creatures and botanicals and whose work likewise straddles art and science and their fertile intersection. His work lead to the incorporation of forms from nature finding their way into everything from furniture to architecture, as well as the more obvious influence on fine art and scientific illustration.

*Sadly, his deep appreciation of life in its many forms did not translate into an enlightened view of his own species. While he did make contributions to evolutionary biology, and was a great popularizer of Darwin's work in Germany, he also used a confused hodgepodge of Darwinian and Lamarkian ideas and far more speculation than a we would consider reasonable in a modern scientific sense. Some of his discredited scientific ideas were in vogue during his lifetime, and his errors should be considered within context. Most disappointing however, were his wrong-headed and repugnant social Darwinist ideas about race and his evolutionary racism which have been linked to the rise of Fascism. I've long enjoyed his extraordinary art/science and was saddened to read that he harboured such ideas, but I think it's important to avoid lionizing people, for instance for their artistic or scientific ideas, and to acknowledge their failings as well as achievements. I can admire his scientific illustration and tireless zoological investigations but still repudiate his ideas about human evolution.

Thursday, January 15, 2015

Nihilist Girl: Great Russian Mathematician Sofia Kovalevski

Sofia Kovalevski linocut
'Sofia Kovalevski', linocut 9.25" by 12.5" (23.5 cm by 32 cm), 2014 by Ele Willoughby
Today is the birthday of the great Russian mathematician and writer, Sofia Vasilyevna Kovalevski (1850-1891), in honour of which, I'm going to make the first of a series of posts about scientists I've portrayed.

Also known as Sofie or Sonya, her last name has been transliterated from the Cyrillic Со́фья Васи́льевна Ковале́вска in a variety of ways, including Kovalevskaya and Kowalevski. Sofia's contributions to analysis, differential equations and mechanics include the Cauchy-Kovalevski theorem and the famed Kovalevski top (well, famed in certain circles, no pun intended). She was the first woman appointed to a full professorship in Northern Europe or to serve as editor of a major scientific journal. She is also remembered for her contributions to Russian literature. All of this despite living when women were still barred from attending university. Her accomplishments were tremendous in her short but astonishing life.

Born Sofia Korvin-Krukovskaya, in Moscow, the second of three children, she attributed her early aptitude for calculus to a shortage of wallpaper, which lead her father to have the nursery papered with his old differential and integral analysis notes. Her parents nurtured her early interest in math, and hired her a tutor. The local priest's son introduced her to nihilism. So both her bent for revolutionary politics and passion for math were established early.

Unable to continue her education in Russia, like many of her fellow modern, young women including her sister, she sought a marriage of convenience. Women were both unable to study at university or leave the country without permission of their father or husband. Men sympathetic to their plight would participate in "fictitious marriages" to allow them an opportunity to seek further education abroad. She married the young paleontology student, Vladimir Kovalevsky, later famous for his collaboration with Charles Darwin. They emigrated in 1867, and by 1869 she enrolled in the German University of Heidelburg, where she could at least audit classes with the professors' permission. She studied with such luminaries as Helmholtz, Kirchhoff and Bunsen. She moved to Berlin and studied privately with Weierstrass, as women could not even audit classes there. In 1874, she present three papers, on partial differential equations, on the dynamics of Saturn's rings (as illustrated in my linocut) and on elliptic integrals as a doctoral dissertation at the University of of Göttingen. Weierstrass campaigned to allow her to defend her doctorate without usual required lectures and examinations, arguing that each of these papers warranted a doctorate, and she graduated summa cum laude - the first woman in Germany to do so.

She and her husband counted amongst their friends the great intellectuals of the day including Fyodor Dosteyevsky (who had been engaged to her sister Ann), Thomas Huxley, Charles Darwin, Herbert Spencer, and George Elliot. The sentence "In short, woman was a problem which, since Mr. Brooke's mind felt blank before it, could hardly be less complicated than the revolutions of an irregular solid." from Elliot's Middlemarch, is undoubtedly due to her friendship with Kovaleski. Sofia and Vladimir believed in ideas of utopian socialism and traveled to Paris to help those the injured from the Paris Commune and help rescue Sofia's brother-in-law, Ann's husband Victor Jaclard.

In the 1880s, Sofia and her husband had financial difficulties and a complex relationship. As a woman Sofia was prevented from lecturing in mathematics, even as a volunteer. Vladimir tried working in business and then house building, with Sofia's assistance, to remain solvent. They were unsuccessful and went bankrupt. They reestablished themselves when Vladimir secured a job. Sofia occupied herself helping her neighbours to electrify street lamps. They tried returning to Russia, where their political beliefs interfered with any chance to obtain professorships. They moved on to Germany, where Vladimir's mental health suffered and they were often separated. Then, for several years, they lived a real marriage, rather than one of convenience, and they conceived their daughter Sofia, called Fufa. When Fufa turned one, Sofia entrusted her to her sister so she could return to mathematics, leaving Vladimir behind. By 1883, he faced increasing mood swings and the threat of prosecution for his role in a stock swindle. He took his own life.

Mathematician Gösta Mittag-Leffler, a fellow student of Weierstrass, helped Sofia secure a position as a privat-docent at Stockholm University in Sweden. She developed an intimate "romantic friendship" with his sister, actress, novelist, and playwright Duchess Anne-Charlotte Edgren-Leffler, with whom she collaborated in works of literature, for the remainder of her too short life. In 1884 she was appointed "Professor Extraordinarius" (Professor without Chair) and became the editor of the journal Acta Mathematica. She won the Prix Bordin of the French Academy of Science, for her work on the rotation of irregular solids about a fixed point (as illustrated by the diagram in my linocut) including the discovery of the celebrated "Kovalevsky top". We now know there are only three fully integrable cases of rigid body motion and her solution ranks with those of mathematical luminaries Euler and Lagrange. In 1889, she was promoted to Professor Ordinarius (Professorial Chair holder) becoming the first woman to hold such a position at a northern European university. Though she never secured a Russian professorship, the Russian Academy of Sciences granted her a Chair, after much lobbying and rule-changing on her behalf.

Her writings include the memoir A Russian Childhood, plays written in collaboration with Edgren-Leffler, and the semi-autobiographical novel Nihilist Girl (1890).

Tragically, she died at 41, of influenza during the pandemic. Prizes, lectures and a moon crater have been named in her honour. She appears in film and fiction, including Nobel laureate Alice Munro's beautiful novella 'Too Much Happiness', a title taken from Sofia's own writing about her life.

Thursday, April 24, 2014

Cometary


Caroline Herschel
Caroline Herschel, linocut by Ele Willoughby (aka minouette), 2014
I'v been working of late on this linocut of astronomer Caroline Herschel (16 March 1750 – 9 January 1848), known for her discovery of at least 8 comets, and in the process, I've come across all these historical images of comets, which I thought I would share.

Comets have long been interpreted as harbingers, of often terrifying events, though sometimes of wonderous things to come. When something new appears and moves through our heavens, it's not surprising that they have been recorded, especially when obvious even to the naked eye.






a depiction of a comet that may have been an aurora borealis, 1527, Germany, anonymous
from Kometenbuch, written in 1587, a book containing descriptions of comets and hand painted illustrations.

[Notable comets of the period 1577-1652]

Types of cometary forms, illustrations from Johannes Hevelius' Cometographia (Danzig, 1668)
'Halley's Comet' & 'Enckee's Comet' from The Phenomena and Order of the Solar System, c. 1843.
Reynolds' Series of Astronomical Diagrams. Comets and Aerolites
Flowers of the sky, by Richard A. Proctor. New York, A.C. Armstrong and son [1879?] p.24
E L Trouvelot - The great comet of 1881. Observed on the night of June 25-26 at 1h. 30m. A.M

French paste comet brooch, c. 1950, Victoria & Albert Museum, London.

Wednesday, March 26, 2014

Inspired by Science

Inspired by Science on The Etsy Blog


The Etsy blog just posted Karen Brown's article featuring 5 Etsy artists who are inspired by science, including me!

Lise Meitner
Lise Meitner and Nuclear Fission Linocut History of Physics by minouette

 

“I think the idea that art and science are separate is unfounded,” says print maker Ele Willoughby of minouette. “It takes creativity to be a good scientist and experimentation to be a good artist.” In her Etsy shop, Ele explores art and science through a series of portraits of scientists inspired by the bi-monthly challenges of the Mad Scientists of Etsy team. “I love hearing from parents who want to inspire young children with portraits of scientific heroes or heroines,” she says.

There are some fabulous artists in that inspiring intersection of art and science, and several of my prints included.


(x-posted to the on-going saga of minouette)

Monday, January 27, 2014

Mineralogy

Crystals, minerals and gems have been a recurring theme in a lot of contemporary art and culture of late. This is a round up of some of those mineral inspired items that have caught my eye. You see minerals in art like the spectacular paintings by Carly Waito previously covered by magpie&whiskeyjack. You can also find artist-made minerals in all sorts of media.

http://ashleyzangle.com/index.php?/work/bubble-bath-pours/
Ashley Zangle, detail of bubble bath pour

http://ashleyzangle.com/index.php?/work/bubble-bath-pours/
Ashley Zangle, Nine Pours Spring: 2012, 44 x 60"

Ashley Zangle uses bubble bath and ink on paper to capture and sculpture the multifarious look of minerals.

http://ashleyzangle.com/index.php?/work/bubble-bath-pours/
Studio installation by Ashley Zangle
http://ashleyzangle.com/
Ashley Zangle




Rocks and minerals show up in the collages of collections by Amber Ibarreche.


Gemz, collage by Amber Ibarreche

Keetra Dean Dixon and JK Keller produced a series of layed wax sculptures with embedded text which look like giant mineral specimens.


Layered Wax Type: Become; in orange, Detail. 24" x 13" x 7", 
wax, acrylic paint and foam, 2009
by Keetra Dean Dixon and JK Keller

Layered Wax Type: Become; in orange, 24" x 13" x 7", wax, acrylic paint and foam, 2009
by Keetra Dean Dixon and JK Keller


Layered Wax Type: Become; in orange, Detail. 24" x 13" x 7", 
wax, acrylic paint and foam, 2009
by Keetra Dean Dixon and JK Keller
Tabirtha Bianca Brown, or thepairabirds, has some great mineral and gem prints on Etsy.

http://prf.hn/click/camref:10l3tr/pubref:pairabirds/destination:https%3A%2F%2Fwww.etsy.com%2Fca%2Flisting%2F75327694%2Fsoft-rock-geometric-facet-art-print
Soft Rock Geometric Facet Art Print by thepairabirds

http://prf.hn/click/camref:10l3tr/pubref:pairabirds/destination:https%3A%2F%2Fwww.etsy.com%2Fca%2Flisting%2F70496304%2Famethyst-geometric-facet-art-print
Amethyst, Geometric Facet Art Print by thepairabirds

Lindsay Jones has a whole mineral calendar.

http://prf.hn/click/camref:10l3tr/pubref:lindsayjones/destination:https%3A%2F%2Fwww.etsy.com%2Fca%2Flisting%2F119327704%2F2014-minerals-calendar
2014 Minerals Calendar by shoplindsayjones

David Scheirer has a great print of a rock collection watercolour.

http://prf.hn/click/camref:10l3tr/pubref:studiotuesday/destination:https%3A%2F%2Fwww.etsy.com%2Fca%2Flisting%2F158085828%2Frock-mineral-collection-art-print-8x10
Rock mineral collection by studiotuesday

I love the more stylized illustrations of crystals and minerals by Ryan Putnam too.

Ryan Putnam, crystals and minerals

I myself have begun making linocuts on Japanese kozo paper with iridescent chine colle of different minerals.

Quartz linocut by minouette


Minerals show up in fashion, like this 'Mineralogy' scarf by Charlotte Linton:

'Mineralogy' scarf by Charlotte Linton
Or more photorealistic silk scarves with photos from Jen Altman's Gem and Stone:

 

https://www.cisthene.com/products/dry_goods/CIS004.html
Labradorite scarf, photo by Jen Atlman

You even see minerals in street art, like the fabulous paper and resin 3D 'urban geode' works by Paige Smith of A Common Name.

http://acommonname.com/street-art-project/
A Common Name, Geode #3, DTLA 

A Common Name, Geode #10, Arts District
A Common Name, Geode #33, Uluwatu

Perhaps the most unexpected and delightful medium is soap!

http://prf.hn/click/camref:10l3tr/pubref:amethystsoap/destination:https%3A%2F%2Fwww.etsy.com%2Fca%2Flisting%2F63222747%2F2-oz-soapamethyst-crystal-soap

2 oz. Soap/Amethyst Crystal Soap by amethystsoap


Thursday, September 12, 2013

more magpie&whiskeyjack

Mark Twain participating in an experiment
in Tesla's laboratory. 
Century Magazine, April 1895. Source: peswiki.com


The magpie and the whiskeyjack are two members of the crow family, who have a reputation for gathering sparkly goodies (the magpie) and being a trickster (the whiskeyjack). This blog is a record of things I've found which intrigue me and things I find beautiful. Most of the posts are tagged art about science and focus on the fertile intersection between them. You can find all the posts about art about science using tags, but I've also added some new categories to help you find what you seek.

image via Brainpickings

sci&lit

On the the sci&lit page you'll find all the magpie&whiskeyjack posts about books about science or the intersection of science and literature. I've also included minouette book reviews of books with an underlying scientific theme; these include everything from popularization of science, history of science, to novels inspired by science, scientists and that fertile art/science intersection. I am (usually) an avid reader and have made it a habit to write reviews on various blogs over several years now, so I thought I may as well consolidate the dozens of reviews related in some way to science. Some reviews are concise, some long and opinionated.



wunderkammer

The wunderkammer section falls naturally out of gathering all these wonderous art about science items. I have been gathering large collections of these items for a long time, and am always adding more. The wunderkammer is a place to find items you can add to your own collections.





minouette

I've also added a couple of pages to make me a little less anonymous and to make my various sites a little more interconnected. You can find my personal blog at minouette (see the minouette blog tab or button) and my shop and other places you can find things from secret minouette places on the minouette shop tab or button above.

Thursday, July 18, 2013

Quantum Mechanical Art

  Richard Feynman, & Feynman diagrams,  by Hannah Wilson
Quantum mechanics is the physics of the very small, the subatomic. On that scale classical physics we know intuitively, the physics of our everyday life and human-sized things, breaks down. Strange things can happen; objects (or wave-particles at least) can go through walls or seem to go through two different French doors at the same time. We can't investigate this world without literally interfering with it. We can only know something's position or momentum precisely; it's either where or how fast, but not both. We can only meaningfully make predictions about groups of things: half of these radioactive nuclei will decay in one half-life; the electrons going through these two slits will make this specific interference pattern, but don't ask me to explain what any individual electron will do, and so forth. This sort of anti-intuitive arena inspires either purely mathematical and probabilistic or very metaphorical descriptions. Some things are unknowable, based on the fundamental laws of physics. Working in this Wonderland and believing seven impossible things before breakfast can inspire creativity and often visual thinking in physicists. This weird world within is also a source of inspiration to visual artists.

Edward Tufte, All Possible Photons
One of the most amazing and distinctly visual tools in the quantum mechanic's tool box is the Feynman diagram. These elegant schematics of lines and assorted squiggles not only depict the sorts of things which can occur in any given interaction in the quantum world, they actually allow us to calculate probabilities; they actually represent and take the place of complex equations - and believe you me are far easier to work with.  Everyone would rather draw a series of little drawings than calculate probability amplitudes by integrating over many variables. They are quite easy to read, once you know the vocabulary of particles, antiparticles, force carriers - real and virtual - and they can describe everything which can occur in the quantum world. It's perhaps no surprise that preeminent information designer and champion of elegance, simplicity and meaning in scientific graphics, Edward Tufte would be inspired to creature sculptures of Feynman diagrams with stainless steel tubing.


Richard Feynman, Equations and Sketches, 1985
Feynman himself of course had an artistic side. It is well-known that he played the bongos, or painted some of his own diagrams on his van. You may have heard his 'Ode to a flower' - a beautiful refutation of the bias that beauty is to only be found in art, and it is lost on science. The short monologue is animated by Fraser Davison below.  He himself started to draw, at age 44, shortly after developing his visual language for quantum mechanics (via Brain Pickings). He traded art for science lessons with his friend the doubter that scientists could see the beauty of a flower. His daughter Michelle even gathered his drawings into a short book The Art of Richard P. Feynman: Images by a Curious Character. 


Richard Feynman - Ode To A Flower from Fraser Davidson on Vimeo.

Oliver Jeffers, 'Still life with light and lightbulb'
Painter and illustrator Oliver Jeffers got inspired by quantum mechanics, and wave-particle duality. As he himself explains below, we find that if you set up and experiment to look for a wave, light (and in fact electrons, or other quantum wave/particles) will behave like a wave; whereas, if you set up an experiment to look for a particle light (and other wavicles) will behave like a particle.  His painting 'Still life with light and lightbulb' includes the de Broglie equation, relating wavelength to momentum of anything! (So particles, with mass and momentum have wavelengths, and photons which can seem like waves have momentum like particles).





Julian Voss-Andreae, The Well (Quantum Corral), 2009
Gilded wood, 3” x 13” x 12” x (6 x 34 x 31 cm)
Julian Voss-Andreae is a sculptor who also pursued graduate research in quantum mechanics. His background comes out in his sculptures of 'Quantum Objects' and molecular structures. A quantum coral is  a a ring of atoms arranged in an arbitrary shape on a substrate. Lutz, Eigler and Crommie (1993), for instance used a ring of iron (which is ferromagnetic) atoms on copper to reflect the surface electrons into a predicted wave pattern - 'coralling' them into the 'fence' of iron. Voss-Andreae used their specific data to create his sculpture The Well (as in a quantum mechanical well or potential energy well in which electrons are trapped). Like any wavicle, the nature of his 'Quantum Man' sculpture depends on how you look at it, appearing quite solid or nearly disappearing altogether. He also makes beautiful sculptures of structures right at the classic/quantum interface... where the weird world of the very small gets to sufficiently large molecular structures to obey the physics of our everyday world, like 'Quantum Buckeyball' and the many complex protein molecules. His graduate work incidentally, showed that single object as large as Carbon-60, a Buckyball, would behave like a wave, going through two slits at once (just like electrons in the famous double slit experiment).

Julian Voss-Andreae, Quantum Man


Julian Voss-Andreae, Quantum Buckeyball

Niels Bohr portrait 4
Ele Willoughby, Niels Bohr, 2010
My own artwork on the subject of quantum mechanics is a little less literal perhaps... though my linocut portrait of Niels Bohr includes the Bohr model explanation of the Balmer series - the spectral lines given off by excited hydrogen which are in the visible range, showing Bohr's electron orbits (which we now know are a bit too simplistic a model) at the right ratio of diameters, and photons (shown as wavy lines, following Feynman's convention) given off as an electron falls from one given orbit to another lower energy state in the appropriate colours. The line spectrum you would see, if you spread the light given off with a prism, is shown below. I've also depicted Schrödinger's cat, one of the most famous thought experiments (or, really metaphors for the weirdness of quantum mechanics). Erwin Schrödinger proposed this hypothetical experiment to link the strangeness of the quantum world to our everyday world of big things like cats. He imagined a cat in a box with a vial of lethal poison which would rupture if and only if a radioactive particle had decayed - an individually unpredictable quantum event. Until you open the box, is the cat dead or alive? According to quantum mechanics, the wavefunction (or equation describing its state) is the superposition of that of dead and live cat... that is, equal parts live and dead... which of course, seems absurd. Whether the cat is alive or dead depends on when you look at it. Hence, I made a cat and poison vial in thermochromic temperature-dependant ink; sometimes they are apparent, sometimes they are not (or at least, it's too warm and they turn colourless).

Schroedinger1
Ele Willoughby, Schrödinger's Cat (coloured state), 2011

Schroedinger's cat isn't there
Ele Willoughby, Schrödinger's Cat (colourless state)




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