I came across Norwegian artist Toril Johannessen via I'M REVOLTING. She's made some interesting pieces in Words and Years by simply making elegant plots (even Tufte would approve) of the yearly occurances of certain words in certain journals, such as 'Crisis' in nature and Science:
or as 'Miracles' in nature and Science:
which we can contrast with 'Logic" and 'Love" in Art
or 'Hope" and 'Reality' in Politcal Science
I love the simplicity of these pieces. These are real data and really say something, but, like in science (and other scholarship) itself, the interpretation of the data is left to the viewer. There is both insight and humour in the data she chooses to present.
She's previously tackled science and that inspiring place where art and science intersect. In Transcendental Physics she imagined the intersection of German astrophysicist Johann Zöllner (1834-1882), who studied optical illusions, and the Canadian/US visual artist Agnes Martin (1912-2004), an abstract expressionist who employed lines and grids. Zöllner discovered that parallel lines appear like they will intersect if cross-hatched with shorter lines at an angle - this is known as Zöllner's illusion as shown to the left. She drew her imagined Agnes Martin interpretation of this effect:
Zöllner's illusion and Agnes Martin's lines
Color pencil drawing (diptych). 46 x 101 cm.
The Scale of The Universe The Past 100 Years.
Drawing. Pencil on paper. 29,7 x 42 cm.
In 2009, she tackled a topic I've also depicted, in Variable Stars. She points out that at the beginning of the 20th century our estimated scale for the Universe increased radically, and she describes how the project of mapping and photographing the entire sky at the Harvard College Observatory, Cambridge, MA, employed cheap yet conveniently accurate female labour, with all the work done by 'The Havard Computers'. These women were literally treated as automatons and had no status as scientific staff. Nonetheless, as several 'Computers' were outstanding astronomers, they also developped theories about the immense dataset they painstakingly gathered. Henrietta Swan Levitt (shown in my lino block print portrait at left) made a discovery which forever changed our understanding of the scale of the Universe, allowed Hubble's later insight about the age and expansion of the universe and gave us 'Standard Candles' as a metre-stick for the Universe at large. She found a correlation between brightness and period of a particular type of variable stars, the Cepheid Variable stars. I tackled this subject by printing a portrait of Swan Leavitt with how luminosity varies with time and the constellations around and including Cepheus, where she made her discovery. Johannessen travelled to the Harvard College Observatory and dug through the archives, selecting plates showing any stars which would be visible from her location in Norway. She made copies of the photographs, she cut out the cepheid or RR Lyrae star (those used as 'Standard Candles') and them as seeds for growing crystals of alum, a substance that is used as a component in photographic paper. Her installation also included the plot above, photographs and the telescopes below.
Installation view. Photographs, crystals on table, drawings, telescopes. Oslo Kunstforening, January 2009.
Her work also alludes to geology, orienteering, engineering and technology. It's fascinating. Go check out her portfolio! I really enjoy the artwork and her sophisticated understanding of science, the propagation and dissemination of scientific ideas, and the interplay between science and society.