Shane Waltener, who lives and works in London, has an extensive portfolio here. I think cross-breeding lace doilies with cobwebs is more than granny-chic meets natural history; it is genius. He cites both cobwebs and dreamcatchers when describing some of these needlework and crochet fantasies.
Auntie Peggy Has Departed 2003, mercerised cotton, audio equipment, 2 part looped soundtrack. Aldwych Tube Station, the Strand, London.
Showroom Doily 2004, knicker elastic, 350 x 350 x 300cm. Disused shoe factory, King's Cross, London.
A World Wide Web 2007 - shirring elastic, 25 sq. meters. Museum of Arts and Design, New York.
The 26,000 2003, nylon thread, 300 x 300cm. St Mary’s Churchyard, Museum of Garden History, London.
Chihuly Doily 1&2 2004, knicker elastic, each 270 x 350cm. Victoria and Albert Museum, London.
I love that something so beautiful (though perhaps ephemeral) can be created in the medium of "knicker elastic".
(via The Jealous Curator)
The human-working-in-the-spiderweb-medium reminded me of the 'uninvited collaborations' mended spiderwebs of California and Finland based artist Nina Katchadourian. She searched for broken spider webs and repaired the damage as much as posible with (starched or glued) red thread. Day and day, the spiders rejected her repairs, leaving piles of red thread under their own re-repaired webs. She displayed her photographs of the webs with her repairs alongside the later rejected patches.
Mended Spiderweb #14 (Spoon Patch)
Cibachrome, 20 x 30 inches, 1998
Mended Spiderweb #8 (Fish Patch)
Cibachrome, 20 x 20 inches, 1998
Marketing Tips for Spiders
Cibachrome, 30 x 20 inches, 1998
See also suspended spiderwebs and feathers, Working with insects (& other animals) and collecting wunderkammer.