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Raquel Aparicio, personal work
I notice the Victorian era seems to be a common inspiration in illustration of late. High collars and Daguerreotypes abound. You see in with the bright colours and ubiquitous, geometric, crystalline shapes or anthropomorphism or other trope which gives a new, contemporary and perhaps surreal spin.
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Shary Boyle
2005. Porcelain, china paint. 20cm tall. Collection of the National Gallery of Canada.
Check out the portofolio of French illustrator Nancy Peña:
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Nancy Peña Deux illustrations à l'encre de chine (two illustrations in china ink)
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Nancy Peña 'Le Sofa' illustration à l'encre de chine
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Nancy Peña 'Le motif dans le tapis' Illustration autour de l'album Tea party, à partir d'un motif de Verneuil
Historic figures are ubiquitous, and often blue-faced in the work of self-trained California artist Mike Maxwell.
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Mike Maxwell Ellis Island Blues, 2007
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Mike Maxwell Pressures of a Nation, 2008
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Mike Maxwell Oh, These Chance Encounters, 2009
Blogosphere favorite Lisa Congdon is another self-trained California artist. You should check out the other sections of her portfolio too. It's filled with wildlife, text and multimedia.
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Lisa Congdon Rose
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Lisa Congdon Randolph
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Lisa Congdon Levi
Interesting figures appear in the illustration work of the previously featured German artist Olaf Hajek.
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Olaf Hajek Folklore Old Flowers
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Olaf Hajek Editorial for Osterraets
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Olaf Hajek Chopin
My motivation for depicting Victorians is the history of science, and the golden age of exploration.
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minouette, Louis Pasteur, lino block print on kozo, 2008
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minouette, Ada, Contess Lovelace, lino block print on kozo paper, 2009
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minouette, Darwin on Galapagos, lino block print on gampi paper, 2009
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