Showing posts with label sound art. Show all posts
Showing posts with label sound art. Show all posts

Friday, February 22, 2013

for the bees

One of the things I'm working on is an exhibit about the local biodiversity of bees. I've brought you art made by artists who collaborate with bees, like Hilary Berseth, and Aganetha Dyck. Since I have bees on the brain, today, I'll bring you more interesting bee projects.


K-abeilles Hotel for Bees, Muttersholtz, France, by: atelierd.org. Photo: Stephane Spach. Source: architizer.com



The K-abeilles Hotel for Bees, is a structure hut with shelter for people as well as micro-housings for wild bees in the outside hexagonal compartments which provide a variety of nesting materials, in Muttersholtz, France.


K-abeilles Hotel for Bees, Muttersholtz, France, by: atelierd.org. Photo: Stephane Spach. Source: architizer.com




The Microbial Home / 2011 - Peter Gal | Product designer | Amsterdam Source: petergal.com



This is but a small part of Peter Gal's vision for 'The Microbial Home', "a domestic ecosystem which tackles the issues of energy, lighting, cleaning, and human waste disposal, embodied in a series of different components." The 'Urban beehive' would be a bee habitat within the home to provide honey and wax as well as awareness of bees and their importance for the home owner.





The Microbial Home / 2011 - Peter Gal | Product designer | Amsterdam Source: petergal.com












A medical student in France in the early nineteenth-century, Dr. Louis Thomas Jerôme Auzoux (1797-1880), frustrated with the sparcity of anatomical models and the expense of wax, was inspired by papier-mâché puppet and doll-making techniques of the day. He developed his “Anatomie Clastique” approach making 'disectable' hardened paste paper models in separate parts which could be assembled and disassembled to see better understand the anatomy. (Read about his anatomical papier-mâché model factory here).


IMAGE: Detail from Penelope Stewart’s beeswax chamber at the Musée Barthète, inspired by the permanent collection. Photo courtesy of the artist. Source: ediblegeography.com via minouette on Pinterest

IMAGE: Detail from Penelope Stewart’s Apian Screen, via Toronto’s Harbourfront Centre. Photo courtesy of the artist. Source: ediblegeography.com via minouette on Pinterest





Canadian artist Penelope Stewart has made a number installation with beeswax including what she calls 'Sensory Architecture': immersive environments completed tiled with beeswax tiles, so the viewer in inside a sort of bespoke human beehive.

Similarly, German artist Wolfgang Laib used slabs of beeswax to construct a narrow, dim, sort of beeswax lined closet called Wachsraum at the Museum De Pont in the Netherlands.


Wolfgang Laib’s beeswax chambers: on the left is his 1992 Wachsraum at the Museum De Pont, and on the right is the cover of Wolfgang Laib – A Scented Journey, a booklet documenting the construction of a beeswax space in 1994, at the Henry Moore Foundation Studio in Halifax. Source: ediblegeography.com via minouette on Pinterest




I had made one linocut of bumblebee, when a conversation with local audio artist Sarah Peebles got me interested in making a whole series of prints highlighting how little our own native bees ressemble or sound like honey bees. Check out Reasonating Bodies. As part of this project about bee biodiversity, she's made a series of art installations including habitats for solitary bees, and listening stations so you can hear all the bee activity like what is shown below. I also really enjoyed the Resonating Bodies trading cards I got at Nuit Blanch at the Wychwood Barns a few years ago. There are several, complete with DNA barcodes, like the one shown below.





Resonating Bodies trading cards. Source: resonatingbodies.wordpress.com via minouette on Pinterest



Saturday, December 8, 2012

Sound (Visual) Art




Source: asci.org via minouette on Pinterest


"Bowhead," a picture of a sound made by a Bowhead whale, 2003 by Mark Fischer (using wavelet analysis of recorded hydrophone sound data)

Artist Mark Fischer was interested in whalesong and found that in the literature you could find information on the range of frequencies employed, or fourier transforms of recorded sound (so you could see it plotted as a function of frequency, or moreorless which 'notes' were used, if whales happened to use discrete notes like most human music). He decided to use a method common in my field - marine geophysics. He employed wavelet analysis. (If you're interested, this is something seismologists typically use. They take time series data, which means they measure the amplitudes of vibrations, which is often equivalent to measuring the intensity of sound, periodically, so they get a series of measurements in time. They convolve the time series with a wavelet, a specific function. The result is a matrix of numbers which can be displayed as a 2D image if you simply map numbers onto colours.) It suffices to understand that there are a series of numbers (equivalent to the whalesong) to which he applies a mathematical procedure to produce an image. As he writes,
The procedure I have developed to pursue this exploration is, to me, a form of photography- with mathematics as the lens and a computer as a camera. What results is something I call 'the shape of the sound'.

More recently he's produced wavelet images of birdsong and insect noises and what he calls 'AguaSonic' videos of various species, so you can hear the animals too.


Source: asci.org via minouette on Pinterest


Pseudorca Pontinha by Mark Fischer, 2009 17.75" x 23.75" archival digital print on Crane's Museo Max paper

Sound as visual art can also be of sounds closer to the human experience (and not only those which require hydrophones to record). Epic Frequency makes prints of famous audio clips. This one is Martin Luther King, Jr. beginning, "I Have A Dream" On August 28, 1963.






Or, here is a way in which natural sounds combine with sculptural art. 'Hear Heres' is a set of four giant ear trumpet sculptures designed to highlight the sounds of nature, by London architecture firm Studio Weave.




Hear Heres



Hear Heres


Hear Heres

LinkWithin

Related Posts with Thumbnails