Showing posts with label stop-motion. Show all posts
Showing posts with label stop-motion. Show all posts

Sunday, May 20, 2012

Singing about Isostsy, with Stop-Motion and the Baltic Sea


(Colossal)

This lovely short stop-motion paper craft video is directed by Vincent Pianina and Lorenzo Papace (May 2012) for Papace's band Ödland, for the song Østersøen on the album Sankta Lucia (October 2011). The music was also written, composed and recorded by Lorenzo Papace. The song tells the story, in French, of dreaming of traveling in bed, moving about a room, aboard a train, which in turn is aboard a ship, which is sailing the Baltic Sea, trying to avoid dangerous islands.


There is a verse about isostacy, which has got to be the most only artistic interpretation of the geophysical concept I've ever seen. It's quite pertinent to the Baltic, due to the post-glacial rebound (or isotatic rebound) of Fennoscandia1 to the north and east of the sea; basically, the nature and size of the sea depends on its relative height. Imagine all the continents floating on the Earth's mantle (also shown in the video), much like icebergs float in the sea, with a certain proportion above water and the remainder below. Everything will find its equilibrium position. If you drop an ice cube in your glass of water, it may sink initially then float to the surface; isostasy (or with fluids, buoyancy) will push the less dense up so that it can be in gravitational equilibrium. In the case of icebergs, which are only slightly less dense than water, there is 90% below the sea and only 10% above. It is isostasy which determines these proportions, as the song says (the islands like icebergs find the sea surface through the process of isostasy). Thus mountains have 'roots' just like icebergs hide much below the waterline. If you put a large weight on the Earth, it will deform to accommodate this weight like a trampoline. Consider for instance huge glacial ice sheets during ice ages. These pushed the crust downward. Since the removal of that weight and the retreat of the icesheets, the Earth has been rebounding upward to find its new icesheet-less equilibrium. (The Earth, like SillyPutty, is viscoelastic, so it does not respond instantaneously to the removal of the icesheet's mass, but on a longer time scale governed by the nature of the mantle - specifically its viscosity. It's also important to remember that if we think in geological time, units of thousands to hundreds of thousands of years are not that long). Thus vast regions of the Earth near the poles, like Fennoscandia, or Canada's Hudson's Bay are in fact moving and have been moving upward, away from the centre of the planet, since the retreat of the glaciers and the end of the last ice age. In the song, which describes a dream, the process is vastly sped up, and "dangerous islands" pop up through isostasy in a matter of seconds, so the boat must take a circumambulating path to navigate its changing seascape.

Consider the series of shapes needed to show the rise of a single island!


The video uses the plates of Ernst Haeckel2 to great effect. I love the spatial context; the bed upon the train upon the ship upon the sea, complete with the multifarious sea life; the sea in turn is shown in context of Northern Europe and earth and the solar system. In the process they built a wonderful orrery (solar system model). How I love orreries. The train furthermore travels an amazing roller coaster-like track, which I'm astounded to learn they built and filmed in only 4 months. It's really quite marvellous.
You can find more about the music, the video, art and process on the blog Le Petit Écho Malade. You can even buy the sheet music. I'm so charmed by this quixotic, anachronistic endeavour. Check it out.

1 Ok, I just wanted to use the word 'Fennoscandia'. It is the geological province which encompasses the entire Scandinavian peninsula and Finnland.

2 You know how I am a raving fan of the wunderkammer collections of nature illustration by Ernst Haeckel.

Tuesday, November 1, 2011

Happy Day of the Dead

Mound by Allison Schulnik from garaco taco on Vimeo.



This lovely short film by Allison Schulnik, stop-motion, claymation even, is so beautiful and ephemeral, with its dancing skeletons and trembling ghosts. Plus, it feature Scott Walker's 'It's Raining Today' which really sets the tone. The motion of the clay is beautifully choreographed to the music (though she identifies Walker by his birth name, Noel Scott Engel). (via TeenAngster)

Thursday, October 6, 2011

MÖBIUS - Federation Square

Since we're talking about Möbius strips, and specifically adding the time dimension to the concept of a looped strip with a single side, a 2D object embedded in a 3D space (with, of course the 4th dimension of time) I would be loathe to neglect the MÖBIUS - Federation Square project by ENESS which used sculpture and stop-motion animation to extend the concept to 4D.

MÖBIUS from ENESS on Vimeo.



ENESS describes the project thus;
Twenty-one large triangles animated by Melbourne, throughout Federation Square. MÖBIUS is a sculpture that can be configured into many cyclical patterns and behave as though it is eating itself, whilst sinking into the ground. The result is an optical illusion and a time-lapse of people interacting with the sculpture and moving through Melbourne's landmark location throughout the day.

MÖBIUS was animated over two weeks Friday, Saturday & Sunday between the 6th - 20th of May 2011.


The 'making of' video is also inspiring. I love the public participation in art, design and whimsy.

Making of MÖBIUS from ENESS on Vimeo.

Tuesday, March 30, 2010

Robot Animals


Andrew Chase, Cheetah, (electrical conduit, auto transmission parts, 20-gauge steel and random parts found in an industrial salvage yard, weighs 50 lbs. The cheetah measures 24" high (61cm) and 50" nose to tail (127cm))

I am tempted to make no comment, and leave the robot cheetah running - it is a statement in and of itself. I don't believe the cheetah sculpture really runs, but it is fully articulated and this is a clever use of stop-motion. It is made by Andrew Chase, a "self-employed commercial photographer, furniture maker, welder as well as a highly talented assemblage artist" who likes to make robot animals with bits of cars and plumbing. I think this quixotic activity is genius.


The elephant weighs about 110 lb and took about 100 hours to build. It is made out of auto transmission parts, electrical conduit, plumbing pipe and 20 gauge cold rolled steel. All the joints move and lock in place. Turning a gear on the elephant's side winds a cable around a shaft which raises and lowers the fully articulated trunk. The ears also move back and forth and and fan out.



Giraffe (transmission parts, electrical conduit, plumbing pipe, and sheet steel. A removable crank raises and lowers its neck. 6 ft high)



Apparently, these will be part of a book called the Trionic Morphatractable Engineer.

{via bioephemera and io9}

Wednesday, June 3, 2009

whispering Lucía

Dear internets,

O, you are the source of so much wonder.
Perhaps in your web you could find me a Spanish speaker who would like to provide me with a gloss of this whispering world?
I watched this without sound and thought beautiful & strange!
I listened to it and am flummoxed.
What can it mean?

love,
magpie & whiskeyjack


"Lucía is a short video shot frame by frame with a digital photo camera. Materials: charcoal, dirt, flowers, found objects and cardboard. July 12th, 2007 by Diluvio"

[via Le Divan Fumoir Bohémien]

LinkWithin

Related Posts with Thumbnails