Showing posts with label geese. Show all posts
Showing posts with label geese. Show all posts

Thursday, December 23, 2010

The Snow Queen


illustration by Miss Clara for La Reine des glaces Hans Christian Andersen, ed. Gautier-Languereau


Andersen, Hans Christian. Hans Andersen's Fairy Tales. Milo Winter, illustrator. Valdemar Paulsen, translator. Chicago: Rand McNally & Company, [c1916].


The Snow Queen by Debra McFarlane
The Pink Fairy Book
etching with aquatint
190mmx140mm


Art direction by Marcel Wanders and photography by Nicole Marnati. (via)


Illustration by Edmund Dulac for The Snow Queen By Hans Christian Andersen

You can read an annotated version of the Snow Queen Fairytale on Sur La Lune Fairytales. I watched Black Swan recently, which made me wonder about why the Snow Queen is depicted with geese (not swans?). Perhaps it was the deceptive mirrors which reminded me of the Snow Queen. I was thinking about her connection to the White Queen in C.S. Lewis' The Lion, the Witch and the Wardrobe. The White Queen, who has a wintry realm (as the Snow Queen), also drives a sleigh and kidnaps a boy. In the Narnia books, she is later revealed as a descendant of Adam's first wife Lilith, made from earth like him, rather than a rib. Lilith claimed to be his equal and refused to submit to him. She appears in Jewish mythology. Her history is messy (from ancient Sumeria, through the Pre-Rafealites, wiccans, to modern feminist theory), debated and beyond my ken. Some claim her to be a daimon, succubus, a night spirit, screech owl or a conversely subverted mother goddess. C.S. Lewis' Lilith is half-djinn half-giantess. Like Lilith, the White Queen is the first to rebel, which makes for a particularly interesting, if loaded villain.

A young girl must travel to Svalbard (like The Snow Queen's Spitsbergen) to rescue a kidnapped boy, as in The Snow Queen, in The Golden Compass (or Northern Lights) by Philip Pullman. Incidentally, Pullman was no fan of the Narnia books. He lambastes him for sexism, racism, manipulative use of Christian imagery and rejection of sexuality (particularly in women like Susan, the adolescent who wants to grow up, but this ties clearly to Lilith as well). I read the entire Chronicles of Narnia seven times before the age of 12, and while I did think Lewis a good story teller - in fact, The Voyage of the Dawn Treader was what first inspired me to read in English - as I grew older I did think that some of Lewis' ideas and theology insidiously seeped into my subconscious while I was unaware. The idea of not allowing a young woman to mature, or to embrace her sexuality, brings us full circle back to Black Swan. I wonder if I would have been a different sort of young person had I read His Dark Materials, rather than The Chronicles of Narnia.

One of the things that does attract me to The Snow Queen, is that for once, a little girl rescues a little boy.

Friday, January 23, 2009

Tea time

Though never far from public consciousness since it conquered the British Empire, this commodity cum comfort beverage seems to be popping up all over the place of late. Perhaps the zeitgeist is one which suggests things would be better if we would just curl up with a cuppa.

German illustrator seasprayblue (flickr, etsy) has too many teacups.

Genius paper engineer/collage artist Roadside Projects (flickr, etsy) made this paper sculpture, "The Tea":

The Tea
Originally uploaded by Roadside Projects



I love the retro illustration feel of Rabbit sandwiches with fancy mustard by missbrigette:


This is "Magic Tea" by Toronto illustrator Sarah McNeil (aka Hello! from the nice places, blog, etsy):


This is from the previously mentioned British illustrator Adrian Johnson:


Magpie & Whiskeyjack favorite, the ever-magical Princesse Camcam designed this notebook cover for crazy and absurd ideas:


The incomparable Swedish artist Camilla Engman (who has an incredible eye for beauty, as evinced by her blog... which has the side effect of making one develop a fondness for her JRT, Morran) has tea on the brain, and perhaps the floor:




This is provocative and fabulously absurd illustrator Michael C. Hsiung's Steer in a Teacup:


South African illustrator Alex Latimer did an entire, delightful series of animals enjoying tea, like this jellyfish:


My own thoughts on tea seem to run to the magical, when I consider these two minouette illustrations:

Turtles in a Teatree (an Artist Trading Card)

and Darjeeling;
darjeeling

Relax, enjoy and explore some portfolios with your favorite blend. It's Friday.

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